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WRITERS' GUIDELINES
For all
submissions, please
e-mail the manuscript in the body of the e-mail to editor@brainchildmag.com
with "Submission" and the department (i.e. "Fiction" "Essay" "Feature
Pitch") as the subject heading. Please do not send your
submission as
an attachment.
For
features, new items, and debate essays, please query with clips first.
Simultaneous submissions are okay--just let us know immediately
if the manuscript is accepted elsewhere.
We
strongly prefer
submissions by email. If you must mail your submission, send it along
with a stamped SASE to P.O. Box 714, Lexington, VA 24450.
We try
to respond within ten weeks. We believe writers are the lifeblood of
this publication; we pay as much as we can, although our fees are still
modest for now. --Jennifer Niesslein and Stephanie Wilkinson,
editors
PERSONAL
ESSAYS (800 to 4,500 words): These are the signature pieces of the
magazine, the heart and soul of our endeavor. We're looking for
essays that share certain qualities--specificity and insight
primary among them. These pieces should employ illustrative anecdotes,
a personal voice, and a down-to-earth tone. We will avoid essays that
fall back on big concept words--"magic," "joy,"
"wonder"--to get across the transformative nature of motherhood.
Poignancy is fine; sentimentality isn't. Humor is a plus.
Important points to remember: We aren't looking for how-to articles or
essays that focus more on the child than on the parent.
FEATURE
(3000 to 6000 words): Each issue, we devote space to at least one
traditional feature, a piece that relies more heavily on reporting than
introspection. Examples of this sort include an in-depth look at the
home-schooling movement and an investigation into the frontiers of
genetic testing. We're open to both New Journalism and old, but
high-quality research and reporting are a must. Please query with clips
and a one-page story outline.
NUTSHELL
(200 to 800 words): Nutshell is our news section, offering both stories
you won't find in the mainstream media and unique perspectives on
hot topics. Example stories include: a profile of pediatrician whose
own children watched three hours of TV a day; a report on a new study
of lesbian adoptive mothers; and an interview with a mother whose child
left home for college at fourteen. Please query with clips and a pitch.
DEBATE
(900 words): Our section of friendly fire, where two writers square off
on a topic of controversy. We're looking for concise, thoughtful
words on issues such as sex education, the Barbie question, and whether
sleeping with your kids is okay. Brief anecdotes helpful; very strong
opinion required. Please query with clips and the issue.
FICTION
(1500 to 4500 words): We look for strongly developed characters and,
more ephemerally, a sense that we trust the writer. We get a lot of
stories that address the daily grind of the characters' lives; if
your story does this, you might ask yourself if this is the moment in
the character's life you want to capture in story. Since much of
Brain, Child is made up of personal essays, we have to walk a strict
line
between the essay and short story forms. We prefer stories that aren't
written from a first-person point of view.
REVIEWS
(200
words for mini-reviews; 800-3000 for longer reviews): We review new and
not-so-new books of fiction, memoir, autobiography, and nonfiction. Our
short reviews focus on books dealing with family or parenting (no
how-to or expert advice manuals). The longer review essays tackle
several books on a distinct theme; these essays are thesis-driven
rather than a serial review of the works at hand.
PARODY
(800 words): The parodies we like most are ones that target people,
institutions, or media who don't take mothers seriously.
Weâre open to a variety of forms (e.g., narrative, letter, quiz,
etc.)--as long as it make us laugh.
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